Visit to National Portrait Gallery Archives to View Francis Quirk Portrait of Edgar Lee Masters

The staff at the National Portrait Gallery have been wonderfully supportive of our efforts to learn more about Francis Quirk's portrait of Edgar Lee Masters.  In addition to providing images, they have allowed us to visit their archives building to see the painting up close.

 

The archives are kept in a very plane looking warehouse type building in the suburbs of Washington D.C. As we pulled up, I hinted to my sons that we might find the Lost Ark of movie fame inside. While we did not find Indy's treasure, we did see others; reaffirming my conviction that Museums have an opportunity to bring art lovers closer through tours of the archives.

 

After signing in, Todd walked us through a labyrinth of clean hallways, past a photographic set-up and into a bay containing a myriad of paintings and sculptures. The Edgar Lee Masters Portrait was set up on an easel. Its strength was immediately apparent.

Edgar Lee Masters Portrait by Francis Quirk

Edgar Lee Masters Portrait by Francis Quirk with eight year old for scale

Once lit... Wow! 

Edgar Lee Masters Portrait by Francis Quirk with lighting

Below are some close ups of key areas including the face, hands, and the Quirk Self-Portrait.

Edgar Lee Masters Portrait by Francis Quirk Close up of Face

Edgar Lee Masters Portrait by Francis Quirk Close up of Hands with Pipe

Edgar Lee Masters Portrait by Francis Quirk Close up of Books on Shelf

Beyond the excellent execution, one of the most interesting features of the painting is the self-portrait that is in the upper right hand corner. Quirk has included an inscription to his friend- "In Fullest admiration to Edgar Lee Masters Francis J. Quirk."

Edgar Lee Masters Portrait by Francis Quirk- Close up of Corner with Quirk Self Portrait

Close up of Self-Portrait by Francis Quirk in Portrait of Edgar Lee Masters

Artist Francis Quirk's Train Locomotive Watercolors

We continue bringing to light the works of Francis Quirk by sharing two striking watercolor images of a train locomotive with an adjacent freight car. The images  capture the engine obliquely from the front with smoke rising from an active boiler fire. 

Watercolor Train Locomotive Image by Artist Francis Quirk

Watercolor Locomotive Image by Artist Francis Quirk

The House in the background of the second painting is reminiscent of Edward Hopper's work. It may be that Quirk's watercolors were executed when Quirk was in Cape Cod Massachusetts as a young man in the early 1930's. For perspective we are including a few train related works of Hopper below. Several of these works were executed in the 1920's on the Cape or in Gloucester, Massachusetts. Given the geographic proximity of the two artists and the similarity of their work, it is fair to assume that Hopper had a significant influence on Francis. 

Locomotive and Freight Car by Edward Hopper

D. & R. G. Locomotive by Edward Hopper

Freight Car at Truro by Edward Hopper

House by the Railroad by Edward Hopper

Railroad Train by Edward Hopper

Circus Wagon 1926 by Edward Hopper

Locomotive by Edward Hopper

National Portrait Gallery Provides Improved Edgar Lee Masters Portrait Image and Wow! Francis J.Quirks' Self-Portrait is in the Gallery as Well.

Portrait of Edgar Lee Masters in the National Portrait Gallery

The National Portrait Gallery graciously provided the image above of master painter Francis Quirk's painting of Edgar Lee Masters. In this version, you can more clearly see the picture on the wall, the figure on the desk, and the open book on the book case. 

We began examining the picture on the wall thinking that perhaps it was Hemingway. But an enlargement blew us away!  It appears that the painted photo on the wall is a depiction of Francis J. Quirk with a signed dedication. It appears that Francis J. Quirk is one of few artists with a self-portrait and a portrait in the National Portrait Gallery.

Francis J. Quirk's self portrait in the National Portrait Gallery within the Portrait of Edgar Lee Masters

This reminds one of perhaps the world's most famous self-portrait within a portrait Velasquez' Las Meninas, which was painted in 1656. Velasquez is standing at left. 

Diego Velasquez painting "Las Meninas" 1656