We continue to examine the work of Quirk as a pillar of the Pennsylvania arts community through the exhibitions he organized under Quirk's era at Lehigh. Perhaps the renaissance of his reputation as a painter will be matched by a new found respect for his curatorial efforts. This post focuses on Waldo Peirce. As you will read below Quirk included him in a 1960 exhibition with Charles Ward and Raymond Galucci Full Pierce biographies can be found on Wikipedia and Citizendium. We have excerpted from them below.
|A 1920 portrait painting of Waldo Peirce by George Bellows, on display at the de Young Museum in San Francisco|
Peirce was both a prominent painter and a well-known character. He was sometimes called "the American Renoir". A long-time friend of Ernest Hemingway, of whom he painted the cover picture for Time magazine in 1937, he was once called "the Ernest Hemingway of American painters." To which he replied, "They'll never call Ernest Hemingway the Waldo Peirce of American writers."
|Cover Painting of Ernest Hemingway by Waldo Peirce Photo Courtesy of Time Magazine3|
As Peirce once said, he never worked a day in his life. He did, however, spend many hours every day for 50 years of his life painting thousands of pictures of his beloved families (he was married four times and had numerous children), still lifes, and landscapes. Peirce was a large man for his time (he was drafted onto the Harvard football team, he said, solely because of his size) and with a mustache and full beard and a large cigar jammed perpetually into his mouth he looked every inch of a cartoonist's notion of an artist. Peirce himself was adamant about one thing: "I'm a painter," he insisted, "not an artist".
In 1938, he was commissioned by the Treasury Section of Fine Arts to paint two murals, Legends of the Hudson and Rip van Winkle, for the U.S. Post Office in Troy, New York.
|Legends of the Hudson by Waldo Peirce Mural in the Troy, New York Post Office|
|Rip Van Winkel by Waldo Peirce Mural in the Troy, New York Post Office|
Below is a representative painting of his oeuvre. The Silver Slipper painting of a saloon features a self-portrait of Peirce seated on the left and his friend Hemingway seated at the bar through the archway.
|Silver Slipper by Waldo Peirce|
Peirce was a prolific painter and the abundance of his work may detract from its market value today. His works can generally be purchased for less than $10,000 and a selection are available from the Liros Gallery in Blue Hill, Maine.
These modest valuations are a bit surprising when one considers his paintings can be found in the museums listed below.
- Addison Gallery of Ameican Art, at Phillips Academy
- Arizona State University Art Museum
- Brooklyn Museum of Art
- Butler Institute of American Art
- Carnegie Museums of Pittsburg/Carnegie Institute
- Colby College Museum of Art
- Columbus Museum of Art–Ohio
- Encyclopedia Britannica Company
- Farnsworth Art Musueum
- Frederick R. Weisman Art Museum, at the University of Minnesota
- Georgia Museum of Art, at the University of Georgia
- Hirschorn Collection
- James A. Michener Foundation
- Metropolitan Museum of Art
- National Portrait Gallery, at the Smithsonian Institution
- Newark Museum
- Ogunquit Museum of American Art
- Parrish Art Museum
- Pennsylvania Academy of the Fine Arts
- Pepsi-Cola Company
- Portland Museum of Art
- Sheldon Memorial Art Gallery
- Smithsonian American Art Gallery
- Southern Oregon State College
- University of Arizona Museum of Art
- University of Maine Museum of Art
- University of Michigan Museum of Art
- Upjohn Company
- Washington State College
- Whitney Museum of American Art