Monday, May 16, 2022

Beautiful Stanley Woodward Painting of the Red Barn and Farm Coming to Auction

We had previously posted about Stanley Woodward and his relationship with Francis Quirk. You can see the post here

Stark was a talented artist and a kindred spirit to Quirk. Perhaps it was that they both painted Maine and nautical scenes. 

We have found Stark's fixation on a red house barn complex fascinating. He appears to have painted it many times from different angles and in different season.  And when we saw this painting coming up for auction, we felt it warranted another post for two reasons. First, it is a fine painting of considerable beauty. And second, it features his "motif number one."  The painting below is titled "Shadowed Past".

Stanley Woodward "Shadowed Past," 20TH CENTURY, oil on canvas, signed L/R; 25'' x 30''


STANLEY WOODWARD (American 1890-1970) , "Shadowed Past," 20TH CENTURY, oil on canvas, signed framed 33 3/4'' x 38 1/2''

STANLEY WOODWARD Signature

What makes this painting work?

There is a great deal going on in this painting, so there is much to discuss. Our eyes are naturally drawn to white spaces. Thus, when this painting is first viewed the eye is drawn to the vertical white trim board in the center. This lightness pulls forward and gives the house a 3-D affect pulling that end of the main house tout of the canvas and toward the viewer like the prow of a ship.

Diagonals in "Shadowed Past"

Since, the composition is like a series of diagonal lines pointing to the left our eye is taken that direction to the tree. It then follows up the tree and out its branch delivering us back again to the center of the painting. 


There is a lot of subtle technique in this painting. Imagine how it would look without the chimneys, the dark green patch in the lower left or the overhanging branches.

The softer color palate is striking with softer reds in the house, yellowish greens in the fauna and even some pale oranges. The tree branches and their shadows add interest to the farm house; forcing the viewer to spend time discerning its nuances. 

All of this activity is well executed in a painterly plein air fashion, but with a steady hand where it matters. 

You can bid on the painting in person in Houston on May 20 at Simpson Galleries or you can bid online through Liveauctioneers. Somebody is going to walk away with a lovely work of art.

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